The Watch Tower

The Watch Tower

8.99

by Elizabeth Harrower
01 FEB 2013

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Extent: 352pp

Format: paperback

ISBN: 9781921922428

RightsWorld: Text Publishing; Denmark: Lindhardt & Ringhof; France: Rivages; Germany: Aufbau Verlag; Italy: Baldini & Castoldi; Netherlands: Atlas-Contact; Romania: Univers Ltd; Turkey: Metis

After Laura and Clare are abandoned by their mother, Felix is there to help, even to marry Laura if she will have him. Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.

Set in the leafy northern suburbs of Sydney during the 1940s, The Watch Tower is a novel of relentless and acute psychological power.

This Text Classics edition comes with an introduction by Joan London.

PRAISE FOR ELIZABETH HARROWER AND THE WATCH TOWER

'Harrower's greatest novel [is] The Watch Tower (1966), the bitter story of two sisters, Laura and Clare, who lose their parents and fall under the sway of Felix Shaw, an abusive and controlling drunk...[It is] her masterpiece.' James Wood, New Yorker

'Haunting and delicate.' Kirkus Reviews

'This is a harrowing novel, relentless in its depiction of marital enslavement, spiritual self-destruction and the exploited condition of women in a masculinist society...It is a brilliant achievement.' Washington Post

'Haunting...Harrower captures brilliantly the struggle to retain a self.' Guardian

‘Each of Harrower’s four novels is concerned with entrapment of one sort or another, through family or youth or love. But The Watch Tower, her last novel, is almost like a distillation in its vision of the forces of good and evil. Something runs clear and strong through this wonderful, painful novel, the dark and the light. The victim and the survivor. Suffering and joy. The knowledge of both. Reality.’ Joan London, Lit Hub

'Elizabeth Harrower's thrilling 1966 novel The Watch Tower comes rampaging back from decades of disgraceful neglect: a wartime Sydney story of two abandoned sisters and the arrival in their lives of Felix, one of literature's most ferociously realised nasty pieces of work.' Helen Garner, Australian

'I read this book twice. Once for sheer pleasure - if pleasure can be the correct term for an experience that is so distressing - and once for the purposes of this review...It left me with the strongest sense I have had for a very long time of the infinite preciousness of consciousness, at whatever cost, and of our terrifying human vulnerability.' Salley Vickers, Sydney Morning Herald

'A superb psychological novel that will creep into your bones.' Michelle de Kretser, The Monthly

'I read The Watch Tower with a mixture of fascination and horror. It was impossible to put down. I then read all Harrower's novels: The Long Prospect (a prescient study of a relationship between a man and a clever but unrecognised young girl), Down in the City and The Catherine Wheel. Her acute psychological assessments are made from gestures, language and glances and she is brilliant on power, isolation and class.' Ramona Koval, Australian

'To create a monster as continually credible, comic and nauseating as Felix is a feat of a very high order. But to control that creation, as Miss Harrower does, so that Clare remains the centre of interest is an achievement even more rare. The Watch Tower is a triumph of art over virtuosity...a dense, profoundly moral novel of our time.' H.G. Kippax, Sydney Morning Herald, 19 November 1966

‘Beautifully written and a powerful commentary on the subjugation of women in the 1940’s both in the work place and in the home, Harrower has created a complex array of characters. The psychological tight rope that Laura and Clare must walk on a daily basis is deeply felt by the reader. The book is surely a mini-masterpiece.’ Salty Popcorn

‘As gripping and terrifying as any horror story…An astonishing book.’ Guardian

‘Harrower’s stark examination of two young women’s vulnerability and helplessness in the face of a domineering man’s savagery is painful to read. I have read it twice now and each time I have been moved by the clarity of Harrower’s vision, the terrible plausibility of her characters and the sheer power of the restrained emotion in her writing. It is a novel that deserves the closest and most attentive reading.’ Transnational Literature